• Dr. Valerie Dopp

    Perry High School

    dopp.valerie@cusd80.com

     

    FILM STUDIES I (1888 – 1962)

     

    Course Description:

    This course offers a panoramic overview of the development of film from the first celluloids and silent shorts with icons like Charlie Chaplin, to the technological advancements of sound and color, on into the studio boom of the 1930s-1960s. Students will learn film vocabulary and concepts while formulating rich interpretations in analysis through written and verbal critiques. Students will examine the fundamental elements of film including narrative form, sound, color, cinematography, and various film genres. Students will also examine the cultural aspects of film and be able to relate these aspects to the growth of the industry.

    Films:

    You can see the list of film titles we may view at the end of the syllabus. All films are rated G to PG-13.

    Grades:  

    Grade point values will be assigned for film notes, projects, quizzes, and writing assignments. There will be occasional opportunities for extra credit, but it is always best to keep current with classwork and assignments – since watching films is very time consuming, getting caught up on many assignments is more work than quickly making up work from an absence. There will be several creative projects. Grades will be updated regularly online. Grade categories and weights are as follows:

    Film Notes & Analysis: 30%

    Projects: 15%

    Quizzes: 40%

    Written Assignments: 15%

     

    Rules & Expectations:

    • Students are expected to participate fully in all class activities and discussions: watch films, view PowerPoint presentations, turn in film notes, participate in projects, take quizzes.
    • Students will remain awake and attentive during films.
    • Student will be respectful of the teacher and of one another. There will be NO TALKING during a film.
    • No gum, food, or drink is allowed in the classroom (other than water in a closed container).
    • No cell phones or headphones/ear buds are allowed during class time, except for camera related projects.
    • Students will follow the school dress code.
    • Students are expected to keep an open mind and learn from the films in the course.

    If a student violates any of the above rules, he/she will be subject to disciplinary action, which may include a conference with the teacher, standing for the remainder of the class period, cell phone placed on teacher desk, a parent phone call, a disciplinary referral or any combination of the above. If a student continues to violate the rules, a parent conference with an administrator will be scheduled to determine whether the student should remain in the class.

     

    Film Study Notes: Some Guidelines

    1. Answer questions completely. You will not be given credit for incomplete answers.
    2. Use complete sentences or phrases – no one-word answers.
    3. Be specific. Explicit examples from the film are required to prove you actually paid attention.
    4. Write in a legible and reasonable size. Text that is too big makes you appear lazy. Text that is microscopically small just irritates the teacher (and gives her a headache!). Scribbling is wasted. If I cannot read it, you do not get credit for it.
    5. Support your opinions. If you did not like a film, give specific reasons as to why you didn’t like it. If you loved a film, give specific examples as to why it was good. Responses such as: “I didn’t like it because it wasn’t in color” or “I liked it because it was funny” say NOTHING! Think and come up with a reasonable answer.
    6. Keep it relevant. Every good work of art imparts a message, often of cultural significance. Always make a serious effort to determine how a film may relate to you personally and culturally.
    7. Always keep in mind the historical setting of a film. Think about what was going on in the world at the time and how the film reflects the values, struggles, and hopes of the people of the era. Just listing “it was during the war” is not applying it to the time. There must be some cause and effect.
    8. Turn work in on time. Film notes are due when the film ends. Film notes handed in late will only receive half credit.

     

     

    Make Up Work and Absences:

    Some absences are unavoidable and necessary. However, please understand that it is impossible to replace the experience of actually seeing a film. It is vitally important that you keep your absences at a minimum. If you have 11 absences, no matter what your grade in the class, you will not receive credit unless the hours and movies missed are made up online.

    Make up work will be granted for EXCUSED absences only. Assignments missed due to unexcused absences will receive a score of a ZERO. If you miss a film due to an excused absence, the following procedure may apply:

    1. At home or in the library, go to www.imdb.com and look up the film. This internet movie database is an excellent source of information about the film. Read the complete synopsis of the movie. Use this information to create your notes.
    2. If possible, rent or stream the movie and watch the part you missed. Again, nothing can replace the experience of actually seeing the film.
    3. Complete your notes and hand them in the next day. Turn them in on time within the make-up period in order to receive full credit. For example, if you are absent on a Monday and we finish the film on Monday. You have Tuesday to make up your notes and turn them in on Wednesday at the beginning of the class. You will receive a “0” until make-up work is turned in & graded.
    4. Most of the course material, including lecture slides and assignments, can be accessed on Google Classroom.

     

     

    Film Studies Compliance Agreement

    Please complete the following information and return this page for a grade.

     

    My student and I have read and understand the rules, policies, and expectations as they apply to

    Dr. Dopp’s class. By signing this agreement, we agree to abide by and uphold the rules set forth.

     

    Parent Consent

    My student and I have read the syllabus and the current film lists thoroughly and understand that all the films listed may be partially viewed, viewed in full, and/or discussed at length.

    Syllabus and film lists can be accessed on Dr. Dopp’s website Film Studies page.

    If you have any comments, questions, or concerns regarding curriculum and/or supplemental materials, please don’t hesitate to contact me via email at dopp.valerie@cusd80.com

     

     

    Printed Student Name ____________________________   Class: ______________ Period _____

     

    Student Signature_________________________________________

    Student email ____________________________________________

     

    Parent Signature_________________________________________

    Parent email_____________________________________________

     

     

     

     

     

     

    Landmarks of Early Film

     

    The Artist

    2011

    Hugo

    2011

    The Great Train Robbery

    1903

    Intolerance

    1916

    Greed

    1924

    The Gold Rush

    1925

    The General

    1926

    The Jazz Singer

    1927

    All Quiet on the Western Front

    1930

    Dracula

    1931

    M

    1931

    King Kong

    1933

    Duck Soup

    1933

    42nd Street

    1933

    It Happened One Night

    1934

    Top Hat

    1935

    Mutiny on the Bounty

    1935

    Bride of Frankenstein

    1935

    A Star is Born

    1937

    Heidi

    1937

    Snow White (Disney)

    1937

    The Adventures of Robin Hood

    1938

    Bringing Up Baby

    1938

    Gone with the Wind

    1939

    Mr. Smith Goes to Washington

    1939

    The Wizard of Oz

    1939

    His Girl Friday

    1940

     

     

    The Philadelphia Story

    1940

    The Grapes of Wrath

    1940

    The Mark of Zorro

    1940

    Fantasia

    1940

    Maltese Falcon

    1941

    Citizen Kane

    1941

    Casablanca

    1942

    Bambi

    1942

    Meet Me in St. Louis

    1944

    Double Indemnity

    1944

    It’s a Wonderful Life

    1946

    The Best Years of Our Lives

    1946

    A Gentlemen's Agreement

    1947

    The Treasure of the Sierra Madre

    1948

    Sunset Boulevard

    1950

    All about Eve

    1950

    An American in Paris

    1951

    A Streetcar Named Desire

    1951

    African Queen

    1951

    Singin’ in the Rain

    1952

    High Noon

    1952

    Shane

    1953

    Roman Holiday

    1953

    From Here to Eternity

    1953

    On the Waterfront

    1954

    Rear Window

    1954

    Rebel without a Cause

    1955

    The Night of the Hunter

    1955

    The Searchers

    1956

    Bridge on the River Kwai

    1957

    Bell Book and Candle

    1958

    Gigi

    1958

    Vertigo

    1958

    Ben Hur

    1959

    North by Northwest

    1959

    The Man Who Shot Liberty Valence

    1962

    The Birds

    1963

    Home Alone

    1990